What makes a human being beyond himself, beyond what is commonly considered normal? The Naked Apes
try to give us an answer, or rather a new structure - which set up the lowest small circus of a family taken in its relations of domination and oppression.
The family here is the entire society, is the mirror in which you shake the characters, respectively: a father so much tamer with a whistle around his neck, a grieving mother and sadistic torturer and victim, a skeleton and angry daughter, brother fearful and dumbed down the violence, the uncle of lewd desire against the granddaughter toy vice.
The form of stage writing is inspired by those grotesque masks even in their report and repetitive, which flows directly from the inner sensitivity of each actor brought to the extreme scores in the unwinding of physical increasingly obsessive.
A table, mirror, slide and shame - is the element that stage in its transformation becomes movable altar of bodies processed in cabaret absurd and diabolical PERVERSIONS .
With an eye on the theater of cruelty of Artaud Sadian and many references to philosophy, not to mention Masoch and Pasolini until Bataille and Sartre . PERVERSIONS , with the text and the direction of Gadda Bagnoli, is the final chapter of a three-year project that brought the company to a study of the Apes Nude Man of knowledge in its network of jobs and relationships that crush under the weight of too many freedoms and misplaced that prevent the point really, and then, to be.
"Perversion is considered one of the essential creative means that man uses in order to inquire about her 'being' and his 'do' - Gaddo Bagnoli said, -" The Man, with his infinite curiosity, can move forward the frontiers of the possible connection to self and to relationships with other wings. None want the fact remains fixed once and for all. There is a perverse nucleus in each of us can take action in certain circumstances. "
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